水與溝通之____鏡花水月(三)
其次,
在客廳與餐廳結合的空間設計上,
以吧檯將兩個空間做一區隔, 
並且延伸吧台兩側以形成山脈的氣勢,
同時也製造出一個可坐、可靠、可臥的窗邊椅與沙發邊的小茶几；
而吧檯與吧台椅則以高低不同的人造石形成山巒層疊的感覺,
並且可活動的吧台椅也與電視櫃作結合,
創造出最大的使用空間；
另外, 在屋子後方的主臥室,
則用小丘陵的概念將其架高,
與周遭的公共空間做一區隔,
也可形成空間高低不同的層次感,
並在主臥室的角落吊一盞圓型吊燈,
形成在夜晚一輪明月的意象。
Secondarily, using extended bar as the image of range to divide living room and kitchen and creates a window chair and a sidetable beside sofa for whether sitting, leaning or lying.
The combination of bar-chair and the TV cabinet creates an uneven mountain sight scenery, also to reach the most capacious usage.
In addition, the bedroom in the back of the house is heightened for hummocky intension.
Not only does this design produce layers within the space but also exclude from public area.
The circle pendant in the bedroom scatters a image of moon at night. 
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